I wanted a sampler with more features which offered greater ease of programming, more options for sound treatment, and of course, the ability to micro-tonally tune it and have possibilities for scripting. Last year I was considering getting a “real sampler,” as opposed to a sample player, such as Garritan’s Aria, for which I was writing my own sfz files. 46” for my taste, the software is so complex that I don’t know how else a manual for it could be written. (grin) The manual is clearly written, and if there is a bit too much “see chapter 3-5, p. No more switching from one window to another! And you can actually learn about the software without a computer present! This kind of innovation in documentation is one that more manufacturers should consider.
One can actually work on screen with the sampler and have a paper document next to you to refer to things. It’s absolutely serious competition for Kontakt5, EXS24, or any of the other flagship samplers out there.įirst of all in the features list is – ta dah! – a printed manual. Suffice it to say that the software is a highly efficient, pretty easy to learn BEAST, and it really can lay a claim to be just about the only sampler/synth that you would need. It’s a strong contender for the number one slot, but in the software world, things change so rapidly, I don’t want to make predictions like that. The update was more of a complete makeover, and the dozens of new features that have been added catapult it into the position of the top three or four software samplers available today.
Mark of the Unicorn’s Mach Five sampler (Mac and PC) has been around for a number of years now, but it was only last year it received an update to version three. 2013 Mach Five Three – the All-in-one, with Elegance Mark of the Unicorn’s Mach Five sampler has been around for a number of years now, but it was only last year it received an update, See what’s on offer in this close up look.īy Warren Burt, Nov.
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